My show at Arts Center at Duck Creek opens tomorrow. I’m truly mesmerized by the warm, rustic aura of the space. The raw dynamics of wooden structural members holding each other to become a monumental shelter conveys a timeless notion of a gathering place for the people. It is a perfect place for my paintings to tell their stories of being human and what it is to live. I’m truly grateful for the wisdom of the community members to transform the space for arts, community dialogues, music and much more.
We will have an extended opening 5 to 8 tomorrow, June 1st. The Arts Center will have some food, I will make some sushi roles, and my wife is going to bake cookies.
The show will be open Thursday to Monday 11-6pm and by appointment through June 23rd.
As I said I will be at the Arts Center most of the time. Looking forward see some of you there!
I’m very excited and happy to announce that my paintings will be at one of the most beautiful art venues in the region, Arts Center at Duck Creek (127 Squaw Road, East Hampton), from June 1st through June 23rd.The opening reception is June 1 from 5-7.
The work shown will be selected paintings from 2013 to 2018. 5 years worth of struggle, surprise, revelation, joy, heartbreak and achievement will be on view at the splendid 19th century barn.
I have lived in the area for over 20 years. Unfortunately, I often realize that I barely know many people who are supportive of arts in my own community. I will be gallery-sitting through most of the duration of the show, Thursday to Monday, 11 to 6. Please come say hi. Please spread the words, invite your friends and family members to see the show. I ‘ll be very happy to meet you and chat.
Freud Monk Gallery is having an online exhibition of wall sculptures which opens on March 1st. They are showing some of my pieces.
I’ve been enjoying their Instagram posts and the site has intriguing interviews by the artists in the current show. Sign up for email notification at their site. Their page has a link: @freudmonkgallery
Each artist has his or her own focus in one’s own visual expression. The paths we pave in pursuing our practices in our studios define our angles, aims and results. While we go separate paths, we also have the ability to share and talk about what we do with our own vocabularies, which are usually exchangeable in our conversations because we go through similar problems in our material reality.
In a way, we the artists have our own language that allows us to share our most intimate struggle, joy, surprise, sense of accomplishment and so on.
Such a discussion can engage us deeply regardless of our backgrounds. We get to face each other as artists—as those who attempt to capture the essence of life as mortal humans with limited human capacities.
How does Phyllida Barlow’s sculpture embrace our perception with such an intense grip? How does she let the materials go so wild, yet manage to come out with a resounding wholeness? I can tell that she has a very different approach than mine. It’s so fascinating that there are so many paths to get to those familiar unknown places to which we strive to arrive somehow.
Images from Phyllida Barlow exhibition at Hauser & Wirth, 14 Nov – 22 Dec 2018, New York, 22nd Street
I’m always intrigued by Kate Clark‘s human animal sculptures. And Heidi Hahn is one of my favorite painters. I like how her paintings can be very emotional, yet unmistakably absurd and odd, and all the elements are expressed with a very solid formal visual quality. I am happy to be in the same show with them. My work sits next to Sam Messer’s striking piece titled “how beautiful is the tiger who killed me”.
Well, I can keep talking about other wonderful artists in the show…
Left: Kate Clark, Charmed, 2015, varied materials, 72 x 40x 23 inches
Center: Heidi Hahn, The Body is Not Essential XII, 2016, oil on canvas, 32 x 36 inches
Right: Hiroyuki Hamada, #76, 2011-13, painted resin, 46 x 37 x 31 inches
Left: Hiroyuki Hamada, #76, 2011-13, painted resin, 46 x 37 x 31 inches
Right: Sam Messer, how beautiful is the tiger who killed me, 2017, oil on canvas, 48 x 60 inches
You will probably recognize some of the artists in the show.#LisaYuskavage#EllenAltfest#RichardBaker#BaileyBobBailey#PaulBowen#MattBollinger#AmyBrener#EllenDriscoll#KateClark#EllenGallagher#HeidiHahn#HiroyukiHamada#SharonHorvath#SamMesser#ElliottHundley#SarahOppenheimer#JenniferPacker#JaniceRedman#JackPierson#JacolbySatterwhite#KahnandSelesnick#DuaneSlick#SableElyseSmith#JamesEverettStanley#TabithaVevers#BertYarboroughYou can see more images here:The show is up till May 20th at Mills Gallery at Boston Center for the Arts.
I am very happy about how the show turned out. The new piece (pictured below) was safely brought into the museum. It is surrounded by five of my Piezography prints. Scroll down for some images from the show…
82, 78 x 61 x 26 inches, pigmented resin, 2017-18
Hiroyuki Hamada: Sculptures and Prints
February 24, 2018 – March 25, 2018
Reception: February 25, 2018, 2:00pm- 4:00pm
Gallery Talk with Hiroyuki Hamada: March 10, 2018 2:00pm
Address: 158 Main Street, East Hampton, NY 11937
Click to enlargeThere are no photos with those IDs or post 5628 does not have any attached images!
One of my pieces is added to a permanent collection at the Guild Hall of East Hampton. The piece will be in a group show titled Recollections: Selections from the Permanent Collection, curated by Jess Frost. It opens on Saturday, October 21 along with two other shows at the venue. The opening is 5-7pm. See you at the opening if you are in the area!
Four of my sculptures and two of my paintings will be in a show at the University of Maryland Art Gallery. There will be a catalog with my interview as well.
I’m looking forward to seeing the new paintings with the sculptures. The show opens on September 6th, 2017 and runs through December 8th, 2017.
Here is the info from the gallery:
“The University of Maryland Art Gallery invites you to an evening reception for Laid, Placed, and Arranged. This exhibition explores recent work made by six University of Maryland MFA alumni — Laurel Farrin, Hiroyuki Hamada, Francie Hester, Meg Mitchell, Ellington Robinson, and Wilfredo Valladares — who have gone on to become significant voices in the realm of contemporary art and academia.
Laid, Placed, and Arranged will be on view September 6-December 8, 2017, and is supported in part by a generous grant from the Maryland State Arts Council. Complimentary table hors d’oeuvres along with a selection of wine, beer, and soft drinks will be served.
Admission is free and open to the public.
Wednesday, September 6, 2017, 5:00 p.m. to 7:00 p.m.
University of Maryland Art Gallery
1202 Parren J. Mitchell Art-Sociology Bldg.
After 4:00 p.m. parking is free in Lots JJ2, JJ3, and 1b.
(At the intersection of Mowatt Lane and Campus Drive.)
Also On View
A series of smaller exhibitions — some rotating, others permanent — round out the visitor experience at the Gallery. Make sure to check out In Memoriam: Andy Dunnill and Recent Gifts.”
The next show will be all paintings. I’m very excited to share the work with you. The show opens 9/10/2015 at Lori Bookstein Fine Arts. The opening reception is from 6pm to 8pm. Everyone is invited!
Press release from Lori Bookstein Fine Art:
Hiroyuki Hamada: Paintings
September 10 – October 17, 2015
Lori Bookstein Fine Art is pleased to announce an exhibition of recent paintings by Hiroyuki Hamada. This is the artist’s third solo-show with the gallery.
Rigorously painted on paper and then mounted on canvas and board, these paintings maintain the same level of craftsmanship that are characteristic of the artist’s sculptural practice. Executed in a fully realized gray-scale (save one painting in which an icy blue predominates) the paintings utilize a similar mixture of acrylic, charcoal, enamel, graphite and oil that the artist uses to polychrome his sculpture.
The artist writes of his work:
It’s been my habit to draw for many years. My sculptures often start from drawings and so do my prints. But it took me twenty years to go back to full-fledged paintings.
The process of making paintings can be faster (than, for example, the building process of a sculpture) more flexible, and it can allow spontaneous happenings and development of visual narratives, which can lead to a glimpse of depth and the richness of who we really are.
But I’m also rediscovering how draining and strenuous the process can be. It is the process of dropping all my daily concerns and opening all my antennas to feel beyond my ordinary spheres and gaze back into myself, all the while putting my faith in the mostly fruitless struggle of digging and building toward the rare confrontation with the moment of a resolution.
It is certainly one of the most meaningful activities for me but it is one of the most challenging acts as well.
May 29th, 2015
Hiroyuki Hamada was born in 1968 in Tokyo, Japan. He moved to the United States at the age of 18. Hamada studied at West Liberty State College, WV before receiving his MFA from the University of Maryland. Hamada has been included in numerous exhibitions throughout the United States including his previous exhibitions, Hiroyuki Hamada and Hiroyuki Hamada: Two Sculptures, at Lori Bookstein Fine Art. He was the recipient of the New York Foundation for the Arts Grant in 2009 and the Pollock-Krasner Foundation Grant in 1998. Most recently, Hamada’s work was featured in Tristan Manco’s Raw + Material = Art (Thames & Hudson). The artist lives and works in East Hampton, NY.
Hiroyuki Hamada: Paintings will be on view from September 10 – October 17, 2015. An opening reception will be held on Thursday, September 10th from 6-8 pm. Gallery hours are Tuesday through Saturday, 10:30 am to 6:00 pm. For additional information and/or visual materials, please contact Joseph Bunge at (212) 750-0949 or by email at firstname.lastname@example.org.
Lori Bookstein Fine Art
138 Tenth Avenue
New York, NY 10011
Between 18th and 19th Streets
Summer Hours: Monday-Friday, 10:30-6:00
Closed: August 9 – September 9, 2015
Telephone | 212.750.0949
Email | email@example.com
Thank you so much for those who came to see the show in Southampton. And thanks to all the people who have worked so hard to make it happen, the show turned out to be splendid. Here are some images from the show.[spacer height=”20px”][spacer height=”20px”][spacer height=”20px”][spacer height=”20px”][spacer height=”20px”]#74, painted resin, 24 1/2 x 24 1/2 x 57 inches, 2010-13[spacer height=”20px”]#74, painted resin, 24 1/2 x 24 1/2 x 57 inches, 2010-13[spacer height=”20px”]#74 (detail), painted resin, 24 1/2 x 24 1/2 x 57 inches, 2010-13[spacer height=”20px”]#74, painted resin, 24 1/2 x 24 1/2 x 57 inches, 2010-13[spacer height=”20px”][spacer height=”20px”][spacer height=”20px”]A piece by Claire Watson, what would the ancestors say (detail), 2013-14, leather gloves, thread, 32 x 48 inches[spacer height=”20px”][spacer height=”20px”][spacer height=”20px”][spacer height=”20px”][spacer height=”20px”][spacer height=”20px”][spacer height=”20px”][spacer height=”20px”][spacer height=”20px”][spacer height=”20px”][spacer height=”20px”][spacer height=”20px”][spacer height=”20px”][spacer height=”20px”]#81, 2011-2013, painted resin, 24 x 54 x 25 inches[spacer height=”20px”]#81, 2011-2013, painted resin, 24 x 54 x 25 inches[spacer height=”20px”][spacer height=”20px”][spacer height=”20px”][spacer height=”20px”][spacer height=”20px”][spacer height=”20px”]Off the Block[spacer height=”20px”]An exhibition of work
by NYFA Fellows curated by NYFA director of program and curator David C. Terry[spacer height=”20px”]Opening Reception:
Saturday, June 28, 5:00 PM[spacer height=”20px”]Exhibition Dates: June 26 – July 20, 2014
Location: Southampton Center
25 Jobs Lane, Southampton, NY 11968[spacer height=”20px”]Gallery Hours: 12:00 -6:00 PM on Thursday, 12:00-8:00 PM Friday and Saturday; 12:00-5:00 PM on Sunday.Participating Artists[spacer height=”20px”]Hiroyuki Hamada[spacer height=”20px”]About NYFA
NYFA’s Artists’ Fellowships, awarded in fifteen different disciplines over a three-year period are $7,000 cash awards made to individual originating artists living and working in the state of New York for unrestricted use. Artists’ Fellowships are not project grants but are intended to fund an artist’s vision or voice, regardless of the level of his or her artistic development.[spacer height=”20px”]NYFA’s Curatorial Services offer organizations, corporations, and individuals the opportunity to integrate contemporary art into their offices, headquarters, or homes. Over the past forty years, NYFA has established lasting relationships with thousands of visual, literary, and performing artists working in all disciplines and styles. NYFA’s in house curator will help potential collectors forge similar, and equally positive, relationships with current or former Fellows. Whether large or small, permanent or temporary, for a courtyard or office, NYFA’s curators will work with you and your organization to ensure you receive the absolute best work for your space and needs. Please click here for a list of NYFA Curatorial projects. For information contact David Terry at firstname.lastname@example.org.[spacer height=”20px”]New York Foundation for the Arts (NYFA) was founded in 1971 to empower artists at critical stages in their creative lives. Each year we provide over $1 million in cash grants to individuals and small organizations. Artspire, our fiscal sponsorship program, is the largest and most established in the country and helps artists and organizations raise and manage over $3.5 million annually. Our NYFA Learning programs provide thousands of artists with professional development training and our website, NYFA.org, received over 1.5 million unique visitors last year and has information about more than 9,000 opportunities and resources available to artists in all disciplines.