I am having a show at ‘T’Space in Rhinebeck, NY. It’s a beautiful venue surrounded by trees and the fresh air of Hudson, NY. The orchestration of the light and space in the compact venue creates a shrine-like serenity and harmony.
Lori and Joseph from Bookstein Projects have done an excellent job installing my work. The show will be presented at the ’T’Space website along with a poetry reading by Arthur Sze, and a musical performance by String Noise. I thank Susan Wides at ’T’Space for her hard work in putting everything together. We will also have a video production by Jack of Diamond LLC, which includes an interview between myself and Robert C Morgan. Notes on the making process with images from my studio are also presented. Read more about it at ‘T’Space site.
I’m excited and happy that our collaborative efforts have been going very well, and the show will be presented in an online livestream opening August 22, 2020 at 3PM. Register here.
Here are some images from the show.
I curated a painting show titled Three Painters at Duck Creek for the Arts Center at Duck Creek. The show went up on August 8th, 2020. It will be on view through August 30th, 2020.
Last year, there was an exhibition of my own paintings at the barn at Duck Creek. It was challenging, but it was also very rewarding. The warmth of wood, the irregular elements of patched walls and the natural elements of the historic site define this attractive venue. I live seven minutes away from there. I care about the place and I wanted to organize a show that people in the community could truly enjoy.
To me, the process of painting involves honesty, dedication and patience. It allows us tremendous freedom, but it also forces us to work with all elements with fairness, keen observation and a broad view to grasp the wholeness. We become one with the momentums, dynamics and mechanisms within the visual structure, which is built by our dialogues with the visual elements. Our paths become the work. The work therefore is authentic in a way, and it can capture a profound something that can resonate with our soul.
The work of the three painters that I selected for the show somehow share the above quality. They can be complex but they also convey solid cohesiveness. These three artists are versed with their own visual languages and they all speak to us in their own ways: but as they harmonize colors, shapes, lines, and layers, they reveal profoundness that goes beyond the framework that binds us as “civilized” beings, yet often as alienated beings. Their paintings have the power to move us unconditionally if we care to listen.
I thank Duck Creek for giving me an opportunity to organize this show. It has been rewarding on many grounds.
In order to introduce the artists to the Duck Creek audience, I interviewed the three painters. We talked about how they get started, their processes, their philosophy on art, and more.
At the Duck Creek barn, the interviews are available in a booklet format.
Elliott Green (b. 1960 Detroit, Michigan – firstname.lastname@example.org). He attended the University of Michigan, where he studied World literature and Art history. He moved to New York City in 1981 and has been awarded a John Simon Guggenheim Foundation Fellowship, the Jules Guerin Rome Prize at the American Academy in Rome, a Pollock-Krasner Foundation Grant, a Marie Walsh Sharpe Foundation Residency, a The Peter S. Reed Foundation Grant, a residency at the BAU Institute, Cassis, France, a MacDowell Colony Residency, and three residencies at Yaddo.
Eric Banks (b. 1954 Brooklyn, NY – email@example.com) Brooklyn-native, Banks lives and works in Rhinebeck, NY. In 1977, he obtained his B.A. from Queens College of the City University of New York, NY. After receiving his M.F.A. from Maryland Institute College of Art, Hoffberger School of Painting in 1981, Banks was awarded the Pollock-Krasner Foundation Grant, Edward Albee Foundation Grant, and Walters Fellowship. Banks has exhibited nationally; most-recently, his work has been on view at NYC galleries, such as Amos Eno Gallery and Sideshow Gallery.
Sean Sullivan (b. 1975 Bronx, NY – firstname.lastname@example.org) lives and works in the Hudson Valley, NY. He received the NYSCA/NYFA Artist Fellow in Printmaking/Drawing/Book Arts Grant in 2017. He has participated in group exhibitions at the Samuel Dorsky Museum of Art at SUNY New Paltz, NY; the Markus Luttgen Gallery, Cologne, Germany; and the Museum for Drawing, Huningen, Belgium.
Here are images from the show.
Here are some images from Drive By Art.
More info for Drive by Art, an art event organized by Warren Neidich
My recent essay was made available during the event:
Lockdown Therapy for Capitalism
by Hiroyuki Hamada / April 28th, 2020
In Art, Artist, Capitalism, creative process, Culture, Exhibition, Installation, new work, News, Sculpture on
I’ve been asked to participate in an outdoor exhibition titled Drive By Art organized by Warren Neidich. It takes place on the eastern end of Long Island where I’m located. Artists come up with unorthodox ways to show art, and hopefully the event generates constructive discussions on the extraordinary situation we are in. This gives me an opportunity to try placing three of my sculptures outside, which I haven’t done before. Yesterday, my wife and I looked around the woods by our house and discussed how we go about it. We went ahead and placed one of the pieces at a spot my wife noticed. It was eye-opening to see the piece liberate itself at the spot. What a way to interact with nature. Of course, this is hardly new—countless artists prefer to show their work outside—but it’s better late than never. Oh well. We plan to place one right by the road,and we haven’t decided about the last one yet. Pretty exciting. The event takes place on May 9th and 10th, Noon to 5pm. Around 50 artists will participate. I will also make my recent essay available hoping that it will generate some discussions among us.
Please go to the website for more info:
Here are some images from the Bookstein Projects show. The show is up till February 15, 2020.Bookstein Projects60 East 66th Street, 3rd Floor, New York, NY 10065Tel (212) email@example.com.................
I was fortunate to catch the last day of Paul Bowen’s exquisite, yet bold and expansive, wood sculpture show last week. I’ve known Paul since 1995. I was a fellow at The Fine Arts Work Center, where Paul served as visual coordinator. I remember being immediately drawn to his sculptures. He is a generation or two older than I am. As both of us grew up in foreign countries and became sculptors after working with paintings, I feel an affinity to his path as an artist. He generously accepts nature, history and the physicality of found materials in seeing through an essence that conveys what it is to live. The human quality he assembles through his practice shines with the dignity and gracefulness of a survivor. When he came into the building to take down the show, he saw me and broke into a big smile. I was as happy to see him as seeing his fantastic show. We confirmed the passage of time in how we both aged. We laughed together. It always warms my heart to feel connected to someone through art.
My painting show at The Arts Center at Duck Creek will be open until 9pm on the next full moon night, June 17th—rain or shine. Bring your friends and family and watch as the dark blue night transforms the warm glow of the historic barn.
Hot tea and sweets will be served.
11-9pm on Monday, June 17, 2019
Regular hour: 11-6pm, Thursday-Monday and by appointment through June 23rd 2019
My show at Arts Center at Duck Creek opens tomorrow. I’m truly mesmerized by the warm, rustic aura of the space. The raw dynamics of wooden structural members holding each other to become a monumental shelter conveys a timeless notion of a gathering place for the people. It is a perfect place for my paintings to tell their stories of being human and what it is to live. I’m truly grateful for the wisdom of the community members to transform the space for arts, community dialogues, music and much more.
We will have an extended opening 5 to 8 tomorrow, June 1st. The Arts Center will have some food, I will make some sushi roles, and my wife is going to bake cookies.
The show will be open Thursday to Monday 11-6pm and by appointment through June 23rd.
As I said I will be at the Arts Center most of the time. Looking forward see some of you there!
Last weekend I took my kids to Adam Stennett‘s art project “Artist Survival Shack” in Bridgehampton, NY. Adam is an artist from Brooklyn. After the market crash of 2008, he had to be away from his art a little concentrating on making ends meet. This project marks his first major project in 5 years.
The past a few years have been a time of contemplation for me as well. To me, artists explore possibilities of how we can be, how we see things and how our world can be. And we depend on our radars high up in the air beyond our social restrictions, authoritative controls, religious guidances, and so on to see our own visions. We reflect the wider reality that’s in synch with the time beyond our civilization, our domestic habitats, and the corporate cage of the mainstream culture. But I feel that I am in the minority among the artists today.
I am not saying that we should all be activists or start doing political art but I find it’s so disturbing, for example, that many of us willingly support politicians who colonize other nations, cut our vital social programs in favor of wars, jail whistleblowers to torture, deceive people to pass pro corporate laws, sell our health for profits, imprison people for cheap prison labor, support political assassinations, detain human rights activists… And there is not enough outrage among us the artists. The ones who are regarded as the finest, the most respected, think nothing of bowing down to the authority, receiving medals of honor from the very culprit of the tragic decisions.
So when Adam told me about his self-sustaining off-the-grid survival shack for making his art. I immediately understood his intention. To me it is an experiment in detaching the artist from the machine. He collects rain water to bath, to cook and to water his vegetable plants. He gets electricity from the solar panel. He composts everything including his waste to fertilize his plants and to experiment with the native plant growth.
When he showed me his spud gun and a bow and arrows in his shack, I knew that he was poking fun at our helplessness and desperation against the overwhelming capability of the machine to kill and destroy.
And when he showed me a piece made with golf balls with corporate logos–Dow chemical, Lockheed Martin, Monsanto, Raytheon, Boeing, Northrop Grumman, GE and etc.–and government agency insignias, I was struck with an image in my head of the players of the deep state discussing the future of the machine.
So in short, it was really nice encountering another soul struggling to make sense out of our time: Struggling to show us our potential as artists in the sea of the corporate world.
Also, having my kids around made me realize that his shack is his “fort”. It’s a little safe place with everything he needs. No one interferes. His world is there as he dreams. It’s so great to be an artist.
Adam will have a solo exhibit showcasing the results of his month long self-sustaining survival project at Glenn Horowitz Bookseller, East Hamton Gallery, opening on 9/7/13. There will be his actual shack with the solar electric equipment, composting kit, painting studio set up, and of course his paintings done during his stay in the shack.