Here are images of a new piece, #87. After going through many stages for two 1/2 years, it finally presents itself with a cogent presence of its own. The piece will be in a solo show opening on January 9th, 2020 at Bookstein Projects in NYC. The reception is on January 9th, 6-8pm.
#87, 54” x 40” x 11 3/4”, pigmented resin, 2019
I was fortunate to catch the last day of Paul Bowen’s exquisite, yet bold and expansive, wood sculpture show last week. I’ve known Paul since 1995. I was a fellow at The Fine Arts Work Center, where Paul served as visual coordinator. I remember being immediately drawn to his sculptures. He is a generation or two older than I am. As both of us grew up in foreign countries and became sculptors after working with paintings, I feel an affinity to his path as an artist. He generously accepts nature, history and the physicality of found materials in seeing through an essence that conveys what it is to live. The human quality he assembles through his practice shines with the dignity and gracefulness of a survivor. When he came into the building to take down the show, he saw me and broke into a big smile. I was as happy to see him as seeing his fantastic show. We confirmed the passage of time in how we both aged. We laughed together. It always warms my heart to feel connected to someone through art.
Here are some images from my painting show at The Arts Center at Duck Creek.
The show is open Thursday-Monday, 11-6pm or by appointment, until June 23rd, 2019.There are no photos with those IDs or post 6320 does not have any attached images!
My show at Arts Center at Duck Creek opens tomorrow. I’m truly mesmerized by the warm, rustic aura of the space. The raw dynamics of wooden structural members holding each other to become a monumental shelter conveys a timeless notion of a gathering place for the people. It is a perfect place for my paintings to tell their stories of being human and what it is to live. I’m truly grateful for the wisdom of the community members to transform the space for arts, community dialogues, music and much more.
We will have an extended opening 5 to 8 tomorrow, June 1st. The Arts Center will have some food, I will make some sushi roles, and my wife is going to bake cookies.
The show will be open Thursday to Monday 11-6pm and by appointment through June 23rd.
As I said I will be at the Arts Center most of the time. Looking forward see some of you there!
I’m very excited and happy to announce that my paintings will be at one of the most beautiful art venues in the region, Arts Center at Duck Creek (127 Squaw Road, East Hampton), from June 1st through June 23rd.The opening reception is June 1 from 5-7.
The work shown will be selected paintings from 2013 to 2018. 5 years worth of struggle, surprise, revelation, joy, heartbreak and achievement will be on view at the splendid 19th century barn.
I have lived in the area for over 20 years. Unfortunately, I often realize that I barely know many people who are supportive of arts in my own community. I will be gallery-sitting through most of the duration of the show, Thursday to Monday, 11 to 6. Please come say hi. Please spread the words, invite your friends and family members to see the show. I ‘ll be very happy to meet you and chat.
Freud Monk Gallery is having an online exhibition of wall sculptures which opens on March 1st. They are showing some of my pieces.
I’ve been enjoying their Instagram posts and the site has intriguing interviews by the artists in the current show. Sign up for email notification at their site. Their page has a link: @freudmonkgallery
Two of my oldest pieces #1 and #2 have been added to my site. I remember starting to work on #2 while I was in the graduate program at University of Maryland in 1995. I remember continuing to work on it at the Fine Arts Work Center in Provincetown. Although the pieces were added to the sculpture section at the site, when I started to work on them I had no ambition of embarking on making “sculptures”. I was merely moved by phenomenon after phenomenon appearing and disappearing on the work surfaces. I was interested in an object-like quality—as opposed to a window to look into an illusionistic-paint scape. I was taken by texture, scratch marks, peeled paint and chunky paint blobs. Instead of working on canvas, I started to work on wood panels (hollow core doors were cut into appropriate sizes with the ends refinished) so that I could dig into them, staple them, bore holes and bang on them. I also built the surface with burlap and plaster for more texture. The layers and my improvisation on them revealed many intriguing visual narratives. It completely captivated me that I could speak with my work. #1 was documented with slide film so it has the soft, grainy look. Remember shooting slides, making dupes and sending them out? All the rejection letters? Lol.
#1, plaster, tar and wood, 24″ x 19″, 1995
#1 detail view
#2, acrylic, burlap, enamel, plaster, tar and staple, 36″ x 36″, 1995
#2 detail view
#1 detail view
A piece from 1998-2001 has been added to the sculpture section of my site. I’ve been conscious of the fact that many people who look at my work do so through the Internet. I’ve learned how to document the work and I believe I’ve done a decent job. But obviously, looking at the work through screens with their limitations curtails the appreciation. Certain pieces will appear better than others as some aspects are easier to perceive than others on screen. It is completely impossible to convey the significance of certain others. But having said that, it is absolutely mind-blowing that we do more or less recognize visual languages across the globe while many of us don’t even speak the same language. Our governments might even consider your governments “enemies”, building nuclear weapons, badmouthing peoples based on their nationalities and so on. But we have the same language to build our friendship.
#32, enamel, oil, plaster, tar and wax, 38″ x 36″ x 1.75″, 1998-2001