Here are images of a new piece, #87. After going through many stages for two 1/2 years, it finally presents itself with a cogent presence of its own. The piece will be in a solo show opening on January 9th, 2020 at Bookstein Projects in NYC. The reception is on January 9th, 6-8pm.
#87, 54” x 40” x 11 3/4”, pigmented resin, 2019
I used to paint with electric drills. I didn’t actually apply paint with drills, but I used various drill bits to make patterns and marks on the work surfaces. Initially I was switching the bits on a single drill, but soon I started to use two drills, three drills and I ended up having a dozen of them on my work table. Eventually, I made a cart with drill holders and a vacuum. The set-up allowed me to be quite intuitive in handling the tools.
The cart—complete with 12 electric drills, vacuum, dozens of drill bit (many are modified), and home made tar paint—is on view at an exhibition titled Utility Banquet, curated by Rodger Stevens and David Weeks at David Weeks Studio at 38 Walker Street, New York City.
You will see custom made art making tools by artists. The show is up until August 23, 2019.
Here are some of the pieces worked on with the drill cart.
One of my pieces is in a group show at Pablo’s Birthday, NYC. Please read what the show is all about below.
#53, 2005-08, ENAMEL, OIL, PLASTER, TAR AND WAX, 96 DIAMETER X 37 CM, 38 DIAMETER X 14.5 IN
HERE + NOW
Exhibition dates: June 26th – July 3rd, 2019
Press preview: Wednesday, June 26th, 5-7pm
Opening reception: Thursday, June 27th, 6-9pm
Pablo’s Birthday and OFFICE IMPART are pleased to present “HERE+NOW”, a 7-day exhibition project which aims to raise awareness about how today’s digital age is changing the traditional art gallery model with the increase of online platforms or other examples of digital presence within the arts.
Following a conviction in the necessity to create new collaborative models, a selection of the most distinguished online art platforms currently operating in the market have been invited to showcase their artists at Pablo’s Birthday gallery space.
Participating platforms: Daily Collector, Isthisit?, This Ain’t Art School, ARTPIQ, hiato projects, AXS Art, Freud Monk Gallery will present compelling works as well as a selection of events which will revolve around this topic, “the new digital era”. We are pleased to announce ARTLAND, Daily Plinth and New Art Academy as our media partners. ARTLAND will create and provide a virtual 3D tour of the exhibition, Daily Plinth will showcase a selection of video vignettes from the project, and New Art Academy will include the digital art exhibited in their newborn marketplace for digital art.
Full list of participant platforms and artists includes: ISTHISIT?, Stine Deja (London, UK) and Joshua Citarella (New York, US); Daily Collector, Jenny Brosinski (Berlin, Germany) and Jonathan Todryk (Dallas, US); ARTPIQ, Sooyoung Chung (Seoul, South Korea) and Ant Hamlyn (Northampton, UK); hiato projects, Paul Weiner (Denver, US) and Irati Inoriza (Balmaseda, Spain), THIS AIN´T ART SCHOOL, Anna Ehrenstein (Tirana, Berlin) and Tara Wray (Kansas, US); AXSART, Tahnee Lonsdale (West Sussex, UK) and Lisette van Hoogenhuyze (The Hague, Netherlands); Freud Monk Gallery, Johan Deckmann (Copenhagen, Denmark) and Hiroyuki Hamada (New York, US); OFFICE IMPART, Hannah Sophie Dunkelberg (Berlin, Germany) and Tristan Schulze (Leipzig, Germany); and PABLO’S BIRTHDAY with Carla Gannis (Oxford, US) and Liz Naiden (New York, US).
Recently new innovative models have arisen that look on how to mediate art today. It is a reaction to the changing society due to new technologies, more possibilities, and a broader visual art market. The art scene opens up and is trying to reach a wider audience. The next generation is eager to try out new, more contemporary solutions that are fun, in demand for different formats and other means to present art.
We are interested in the diversity that new mediums present for showing art, through online galleries, pop-ups, social media based platforms exposing and gathering artists, and young emerging galleries that are vivid, hybrid and engage in this new online-based trend.
How do these different models work, what are their aims, what drives them? This is what we want to ask. How do these new models change and adapt to the art world? What happens with the reception of art? How and where to reach an audience in the digital era?
We believe in collaboration and want to group these new ways and create a vibrant exchange by opening a space for it. For one week a group show will develop with a range of diverse players and will be completed by a dynamic program of discussions, performance, and thematization of these changes in the art world.”
You can see images of the pieces in the show at Pablo’s Birthday website.
Each artist has his or her own focus in one’s own visual expression. The paths we pave in pursuing our practices in our studios define our angles, aims and results. While we go separate paths, we also have the ability to share and talk about what we do with our own vocabularies, which are usually exchangeable in our conversations because we go through similar problems in our material reality.
In a way, we the artists have our own language that allows us to share our most intimate struggle, joy, surprise, sense of accomplishment and so on.
Such a discussion can engage us deeply regardless of our backgrounds. We get to face each other as artists—as those who attempt to capture the essence of life as mortal humans with limited human capacities.
How does Phyllida Barlow’s sculpture embrace our perception with such an intense grip? How does she let the materials go so wild, yet manage to come out with a resounding wholeness? I can tell that she has a very different approach than mine. It’s so fascinating that there are so many paths to get to those familiar unknown places to which we strive to arrive somehow.
Images from Phyllida Barlow exhibition at Hauser & Wirth, 14 Nov – 22 Dec 2018, New York, 22nd Street
The next show will be all paintings. I’m very excited to share the work with you. The show opens 9/10/2015 at Lori Bookstein Fine Arts. The opening reception is from 6pm to 8pm. Everyone is invited!
Press release from Lori Bookstein Fine Art:
Hiroyuki Hamada: Paintings
September 10 – October 17, 2015
Lori Bookstein Fine Art is pleased to announce an exhibition of recent paintings by Hiroyuki Hamada. This is the artist’s third solo-show with the gallery.
Rigorously painted on paper and then mounted on canvas and board, these paintings maintain the same level of craftsmanship that are characteristic of the artist’s sculptural practice. Executed in a fully realized gray-scale (save one painting in which an icy blue predominates) the paintings utilize a similar mixture of acrylic, charcoal, enamel, graphite and oil that the artist uses to polychrome his sculpture.
The artist writes of his work:
It’s been my habit to draw for many years. My sculptures often start from drawings and so do my prints. But it took me twenty years to go back to full-fledged paintings.
The process of making paintings can be faster (than, for example, the building process of a sculpture) more flexible, and it can allow spontaneous happenings and development of visual narratives, which can lead to a glimpse of depth and the richness of who we really are.
But I’m also rediscovering how draining and strenuous the process can be. It is the process of dropping all my daily concerns and opening all my antennas to feel beyond my ordinary spheres and gaze back into myself, all the while putting my faith in the mostly fruitless struggle of digging and building toward the rare confrontation with the moment of a resolution.
It is certainly one of the most meaningful activities for me but it is one of the most challenging acts as well.
May 29th, 2015
Hiroyuki Hamada was born in 1968 in Tokyo, Japan. He moved to the United States at the age of 18. Hamada studied at West Liberty State College, WV before receiving his MFA from the University of Maryland. Hamada has been included in numerous exhibitions throughout the United States including his previous exhibitions, Hiroyuki Hamada and Hiroyuki Hamada: Two Sculptures, at Lori Bookstein Fine Art. He was the recipient of the New York Foundation for the Arts Grant in 2009 and the Pollock-Krasner Foundation Grant in 1998. Most recently, Hamada’s work was featured in Tristan Manco’s Raw + Material = Art (Thames & Hudson). The artist lives and works in East Hampton, NY.
Hiroyuki Hamada: Paintings will be on view from September 10 – October 17, 2015. An opening reception will be held on Thursday, September 10th from 6-8 pm. Gallery hours are Tuesday through Saturday, 10:30 am to 6:00 pm. For additional information and/or visual materials, please contact Joseph Bunge at (212) 750-0949 or by email at firstname.lastname@example.org.
Lori Bookstein Fine Art
138 Tenth Avenue
New York, NY 10011
Between 18th and 19th Streets
Summer Hours: Monday-Friday, 10:30-6:00
Closed: August 9 – September 9, 2015
Telephone | 212.750.0949
Email | email@example.com
It’s been 4 years since I showed a set of new works. Finally I will have a solo show with new works this fall. The show opens on 10/10/13 at Lori Bookstein Fine Art in NYC. So far I’m planing to have 3 to 5 large pieces and probably around 4 midsize to smaller ones. And possibly some small drawings as well…
Pieces are still in progress… I still can’t see how the pieces fit in the space yet… But here is a floor plan of the space.
This show is organized by Aureus Contemporary. Participating artists are Alejandro Diaz-Ayala, Jeremy Dean, Jeff Depner, Pauline Galiana, Hiroyuki Hamada, Karim Hamid, William P Immer, Michael Mapes, Claire Shegog and Yi-Hsin Tzeng.
You can learn more about the show at the site.
Come say hi! We’ll have an opening on April 4th 7-10pm.
4 april to 14 april 2013
opening night: 4 APRIL 7-10pm
operating 11 – 6pm
(closed on Monday)
Last week I saw two outstanding shows in New York City. Both of them are by Anish Kapoor (Gladstone Gallery on 21st Street and 24th Street).
The works are effortlessly graceful with plenty of formal delights and profound weight. It’s great to see his bold yet delicate methods let the
materials flow and glow in their own rights.
One show has multiple towers of cement (Gladstone Gallery on 24th Street). Take your time and walk among them. You start to see character
in each tower and you realize that they are not just random piles. Then you start to see the vision of the artist who let these strange
magical towers appear (here is an article about the interesting making process).
Anish Kapoor at Gladstone gallery, 24th Street 2012
Anish Kapoor at Gladstone gallery, 24th Street 2012
The other show places a large round steel structure that fills up a large open space (Gladstone Gallery on 21st Steet). You get the “wow” feeling
as soon as you walk in the room, and as you walk around, you just tell yourself “wtf”. It’s also fun to see how people react to the piece and
interact with it. It’s great to see people being so happily awed and overwhelmed by the piece. It gives confidence to anybody who loves and believes in art.
There was one more thing. My friend and I walked in one of the churches on our way to the galleries
(St. Thomas on 5th avenue). Ah, what a space to get away and immense yourself in the quietness with the church organ.
Everything just stopped and my mind was reset, at least for the moment.
A city needs a place like that or great art to make you feel that you are connected to something big and mysterious. A great city
like New York has both.
Die Like You Really Mean It:
October 26 – December 3, 2011
Opening reception: October 26, 6-9PM
179 East Broadway
New York, NY 10002
Featuring works of:
Erik Benson, Paul Brainard, Pia Dehne, Hiroyuki Hamada, Elizabeth Huey, Erika Keck,
Emily Noelle Lambert, Frank Lentini, Eddie Martinez, Brian Montouri, Bryan Osburn, Kanishka Raja,
Erika Ranee, Tom Sanford, Christopher Saunders, Kristen Schiele, Ryan Schneider, Oliver Warden,
Frank Webster, Eric White and Doug Young