Posts tagged with ‘Tom Sanford’

  • Group Show in NYC Opens This Week

    In News on

    The show is organized by my friend, Frank Webster, with Paul Brainard.  There are more than 20 people in the show so there will be lots to see.

    Die Like You Really Mean It:

    October 26 – December 3, 2011

    Opening reception:  October 26, 6-9PM

    Allegra LaViola Gallery

    179 East Broadway

    New York, NY 10002

    917-463-3901

    Featuring works of:

    Erik BensonPaul BrainardPia DehneHiroyuki HamadaElizabeth HueyErika Keck,
    Emily Noelle LambertFrank LentiniEddie MartinezBrian MontouriBryan OsburnKanishka Raja,
    Erika RaneeTom SanfordChristopher SaundersKristen SchieleRyan SchneiderOliver Warden,
    Frank WebsterEric White and Doug Young

    You can see some works included in the show here and here.

     

     

     

     

     

  • Die Like You Really Mean It

    In News on

     

    Participating artists:

    Erik Benson, Paul Brainard, Pia Dehne, Hiroyuki Hamada, Elizabeth Huey, Erika Keck,
    Emily Noelle Lambert, Frank Lentini, Eddie Martinez, Brian Montouri, Bryan Osburn, Kanishka Raja,
    Erika Ranee, Tom Sanford, Christopher Saunders, Kristen Schiele, Ryan Schneider, Oliver Warden,
    Frank Webster, Eric White and Doug Young

     

    Allegra LaViola Gallery | 179 East Broadway | New York, NY 10002
    T 917.463.3901 E gallery@allegralaviola.com
    www.allegralaviola.com

     

    Gallery hours
    Wednesday – Saturday: 12-6PM
    Sunday: 1-6PM

    Opening Reception:  October 26, 6-9PM

     

    Allegra La Viola Gallery is pleased to present Die Like You Really Mean It, a group exhibition on view
    from October 26 – December 7. The exhibition is curated by artists Paul Brainard and Frank Webster
    and features new paintings and sculpture by over twenty artists living in the New York metro area.

    The curators have assembled an energetic and dynamic show, where each work registers as a highly
    charged expression of the individual artist. Brainard and Webster have maintained a special interest
    in choosing works that register not as intentionally ironic but rather as sincerely and at times
    viscerally rendered. This exhibition celebrates painting as a healthy, living, and variegated mode of
    art making in New York.

    The works included in this exhibition are often resistant to purely formalist and conceptual concerns,
    engaging themes that extend beyond the material media of painting. Figurative and scenic elements
    may invite narrative readings while color is used forcefully, liberally, or selectively. The expressive
    qualities of color among the works range widely from Oliver Warden’s transformative explosions of
    color, to Hiroyuki Hamada’s restrained, bi-chromatic capsule-like wall reliefs. Also of concern among
    the works is the relationship between the human being and its environment, exemplified by Erik
    Benson and Kristen Schiele’s depictions of inhabited indoor and outdoor settings, Pia Dehne’s
    complex compositions in which figure and ground are enmeshed through lyrical patterns of line and
    geometry, and Kanishka Raja’s use of pattern to unite various specific locations depicted in the same
    visual space.

    Atypically, this show exalts in its contrasts. The works of Chris Saunders and Brian Montouri could
    best sum this up. Saunder’s paintings are slick and calm on the surface but belie an unsettling and
    subversive content, while Montouri’s vision is a veritable disgorgement of expressionist storm and
    bluster. Each artist pushes the medium with equal passion, but in radically different directions, with
    starkly different results. This passion however is one thing all of the artists in Die Like You Really
    Mean It share in common.

    —Paul Brainard, Kristen Lorello and Frank Webster