Exhibition

  • NYC Show Opens This Week

    In Exhibition, News, Sculpture on

    Please join us for the opening reception on Thursday 10/10/13 6-8pm at Lori Bookstein Fine Art.

    #73, 2011-13, painted resin, 46 x 70 x 25 inches


    #76, , 2010-13, painted resin, 46 x 37 x 31 inches

    Lori Bookstein Press release

    Hiroyuki Hamada

    October 10 – November 9, 2013

    Lori Bookstein Fine Art is pleased to announce an exhibition of recent work by Hiroyuki Hamada. This is the artist’s second solo-show with the gallery.

    Created from layers of plaster, resin and waxes, Hamada transforms raw materials into sculptures with impressive scale and infinite detail. Taken as a whole, the
    volumes he creates vary from simple geometric forms to extremely complicated amalgamations of shaped volumes. However, upon closer inspection, the
    surfaces of the sculptures reveal a myriad of individual cells replete with painted and sculpted pattern. This part-to-the-whole relationship is a theme that runs
    throughout Hamada’s oeuvre, echoing the artist’s own social consciousness and his interest in the way individual contributions effect larger systems.

    Executed with incredible restraint, Hamada limits himself to a neutral palette consisting primarily of black and white [and on occasion, more coppery hues].
    This, along with the absence of descriptive titles – each piece is sequentially numbered as it is completed – gives the sculpture an austere quality that allows
    for the viewer to bring individual significance to the work. Yet this austerity is not a perfect one. It is tinged with a timeworn patina of dented edges and
    scratched surfaces, which imbues the work with wabi-sabi, the Japanese aesthetic in which beauty is imperfect, impermanent and incomplete. While this is not
    a part of his conscious approach, the artist acknowledges its presence, noting that momentariness is “one of the most fundamental truths we have.”

    Hamada’s work often presents itself to the viewer in seemingly opposing dualities: archaic and futuristic, natural and industrial, restrained and effusive. Indeed,
    the sculptures are as familiar as they are foreign, and yet, it is this Heraclitian relationship that drives the artist’s practice. Deeply conscious of the
    omnipresence of social and political issues at large, Hamada explains that within his studio he strives “to find fine balance in elements to see things being
    harmonized, opposing elements coexisting in meaningful ways, richness and warmth being born out of raw materials.”

    Hiroyuki Hamada was born in 1968 in Tokyo, Japan. He moved to the United States at the age of 18. Hamada studied at West Liberty State College, WV before
    receiving his MFA from the University of Maryland. Hamada has been included in numerous exhibitions throughout the United States including his previous
    exhibition, Hiroyuki Hamada: Two Sculptures, at Lori Bookstein Fine Art. He was the recipient of the New York Foundation for the Arts Grant in 2009 and the
    Pollock-Krasner Foundation Grant in 1998. Most recently, Hamada’s work was featured in Tristan Manco’s Raw + Material = Art (Thames & Hudson). The artist
    lives and works in East Hampton, NY.

    Hiroyuki Hamada will be on view from October 10 – November 9, 2013. An opening reception will be held on Thursday, October 10th from 6-8 pm.
    Gallery hours are Tuesday through Saturday, 10:30 am to 6:00 pm. A catalog of this exhibition will be available later this fall. For additional information and/or
    visual materials, please contact Joseph Bunge at (212) 750-0949 or by email at joseph@loribooksteinfineart.com.

     

  • Adam Stennett’s Artist Survival Shack

    In Artist, Exhibition, Installation, Painting, Sculpture on


    Adam Stennett and Rock Hamada

    Last weekend I took my kids to Adam Stennett‘s art project “Artist Survival Shack” in Bridgehampton, NY. Adam is an artist from Brooklyn. After the market crash of 2008, he had to be away from his art a little concentrating on making ends meet. This project marks his first major project in 5 years.

    The past a few years have been a time of contemplation for me as well.  To me, artists explore possibilities of how we can be, how we see things and how our world can be. And we depend on our radars high up in the air beyond our social restrictions, authoritative controls, religious guidances, and so on to see our own visions. We reflect the wider reality that’s in synch with the time beyond our civilization, our domestic habitats, and the corporate cage of the mainstream culture. But I feel that I am in the minority among the artists today.

    I am not saying that we should all be activists or start doing political art but I find it’s so disturbing, for example, that many of us willingly support politicians who colonize other nations, cut our vital social programs in favor of wars, jail whistleblowers to torture, deceive people to pass pro corporate laws, sell our health for profits, imprison people for cheap prison labor, support political assassinations, detain human rights activists…  And there is not enough outrage among us the artists. The ones who are regarded as the finest, the most respected, think nothing of bowing down to the authority, receiving medals of honor from the very culprit of the tragic decisions.

    So when Adam told me about his self-sustaining off-the-grid survival shack for making his art. I immediately understood his intention. To me it is an experiment in detaching the artist from the machine. He collects rain water to bath, to cook and to water his vegetable plants. He gets electricity from the solar panel. He composts everything including his waste to fertilize his plants and to experiment with the native plant growth.

    When he showed me his spud gun and a bow and arrows in his shack, I knew that he was poking fun at our helplessness and desperation against the overwhelming capability of the machine to kill and destroy.

    And when he showed me a piece made with golf balls with corporate logos–Dow chemical, Lockheed Martin, Monsanto, Raytheon, Boeing, Northrop Grumman, GE and etc.–and government agency insignias, I was struck with an image in my head of the players of the deep state discussing the future of the machine.

    So in short, it was really nice encountering another soul struggling to make sense out of our time: Struggling to show us our potential as artists in the sea of the corporate world.

    Also, having my kids around made me realize that his shack is his “fort”. It’s a little safe place with everything he needs. No one interferes. His world is there as he dreams. It’s so great to be an artist.

    Adam will have a solo exhibit showcasing the results of his month long self-sustaining survival project at Glenn Horowitz Bookseller, East Hamton Gallery, opening on 9/7/13. There will be his actual shack with the solar electric equipment, composting kit, painting studio set up, and of course his paintings done during his stay in the shack.


    His outdoor shower set up.  The black tank on the right is heated by the sun and manually
    pumped for bathing.


    His vegetable garden is enriched by the special survival shack fertilizer (a mixture of one part pee and 5 parts water).


    Interior of the Artist Survival Shack


    The study area


    Cosmo Hamada trying the bow and arrow


    Adam showing off his spud gun


    The golf ball piece in progress.  The shack is located on a private land by a golf course for the wealthy.


    Artist Survival Shack!


    Thank you Adam.