Hiroyuki Hamada Immigrating from Japan to the Belly of EmpireIn Capitalism, creative process, empire, imperialism, Interview on
I had an opportunity to talk about being an immigrant, Japan, our society, politics and so on with Jeff J Brown. I think the interview turned out to be a very good one. I got to talk about making art as well.
Here is an excerpt:
“I think corporal punishment given to school kids when I was growing up in Japan taught me how a hierarchical order can be maintained for the sake of having the order. The resulting order can operate without meeting the needs and desires of subject populations, sort of like schools or prisons. And capitalist society also maintains itself by economic punishment. What’s prominent about an order maintained by fear, threats, violence and so on, is that it forms itself regardless of each individual’s intrinsic connection to self, to others, to communities, to nature and so on. It is a way to form a social structure, but it is also an effective way to detach subject populations from their true human nature. This is a crucial step in commodifying basic human rights to be turned into profit. This is why capitalism is so effective in forming and perpetuating a hierarchical order while dehumanizing the population drastically, without even their knowledge. I think we as a species should be able to do better than that. The survival of our species depends on it, I think.
Also, the art making process has taught me that in order to come up with a profound solution for a given work, one needs a certain amount of humility, ability to observe elements, openness to accept change, willingness to trust, accept unknown elements, patience to learn the systematic mechanism and so on. These conditions often contradict each other, and they push and pull each other in the process, however, the key to grasping a working mechanism is to understand how the elements act according to their intrinsic characters and their guiding rules. They do not come to a profound formation according to the punitive measures of a master mind. I mean, I can just chop up my canvas and sell them as materials, but that would not realize the potential of the elements. So, what I sense is that we need to incorporate that sort of building process in our society, which truly accounts for the needs of the people, in order to go beyond the neo-feudal hierarchy of exploitation and subjugation. The harmonious whole, with its meaningful mechanism to move our beings does not result from an authoritative coercion. Having honest dialogues with facts placed in objective historical contexts can be a good start for us, I believe. As an artist I can feel that there would be profound results waiting for us.”
HIROYUKI HAMADA IMMIGRATING FROM JAPAN TO THE BELLY OF EMPIRE