Posts tagged with ‘crustaceans’

  • An Architect’s Angle

    In News on

    Once the work goes out of my studio, it finds new contexts and meanings
    in viewers’ minds. It’s fascinating to hear what they see.  Last March, I
    enjoyed an architect, Saurabh Vaidya’s blog post that showed the work
    through his rich, investigative mind.  He just posted his second entry on
    the work.  Here are his 1st and the 2nd entry posted back to back:

    Lebenswelt

    I came across works by two very interesting artists last week,
    Nicolas Moulin who envisages ruins of mega monolithic concrete
    blocks in a deserted landscape while the other being Hiroyuki Hamada
    who designs comparatively small, vaguely futurist looking monoliths.






    (Some of the many Hiroyuki’s tablets that could easily come to be a parts of totem pole
    of a dystopian space age civilization, whose technological advancement has come at
    the price of erosion of memory of history and language…where technology is god.

    Images sourced from
    http://acidolatte.blogspot.com/2010/02/hiroyuki-hamada.html?zx=883872d53fad4dd5)

    Hiroyuki’s artifacts that seem to draw semantic nourishment from manga,
    minimalismspace debrisJapanese Zen, Buddhism, God particles,
    Shivalingam, crustaceans, Mars and brush by closely to Nicolas’s Béton
    Brut work that sends roots to Normandy Bunkers, Corbusier, Oplismeno
    skirodema, Berlin Wall, Moai, Rosetta stone, Noah’s Arc etc according
    to me are not thriving on but are just the opposite. They are soil samples
    of the very ground that anchors the tree of Being, from where all these
    references germinate.



    (Images of Nicolas Moulin’s collages sourced from Vulgare one can also find an online
    blog recording by the artist and Amanda Crawley Jackson called
    Beton brut)

    The ability of both these artist to have art works that spread roots
    through history and simultaneously come across as being so basic
    that it forms a part of Lebenswelt, the very ground of universality
    which anchors the roots of metaphysics, to be understood in equal
    ways by every member of the human race is according to me the
    true essence of their work.

    Scale, texture and form, that is all to it, as wise old university
    stalwarts would put it, which according to me has more truth to it
    than the combined cacophony that we seem to have inherited from
    the circus that was post modernism and these two artists working
    independently in different circles and continents seem to echo just
    that. The simplicity of works is refreshing and it just looks very
    very sexy.

    Lebenswelt appeared at Urban Floop on Sundy, March 28, 2010

    Here is his second post:

    Hiroyuki

    During my early days in architecture all of us during a brief phase
    had taken to worshipping Tadao Ando, which secretly we still do in
    some obscure corner of naivety unpolluted by the realisation that
    it cannot be that simple, life is far more complicated, filled with
    contradictions that need to be represented in our spaces, objects,
    skews and corners. Ando had been popular for quite sometime
    then but it was during my first year in Architecture that he built
    Church of the Light a building that worshipped space, made
    concrete an inch more beautiful than what the modernist had left it
    as and we drooled.

    It is this rich simplicity that draws me to Hiroyuki’s work of which I
    have written before
    .  Hiroyuki will be exhibiting three new pieces in
    his next show at Art Sites, a gallery in Riverhead, NY. If you are
    the lucky few around do visit…I personally would like to see the
    scale of these objects…and if they open up like loosely held 3d
    jigsaw puzzles, or do they crack like egg shells, are they hollow
    or filled with a heavy fluid, is there a temperature difference in the
    blacks and whites, browns and greys…I guess I will definitely be
    banned from entering the gallery or his workshop!
    I hope the art work sells and and pray definitely not to clients who
    would use it as bourgeoisie conversational props with their boring
    guests in plush living rooms with matching minimal aesthetics.

    Hiroyuki appeared at Urban Floop on Saturday, August 14, 2010