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Images From Bookstein Projects Show 2025 Are Up
Sadly, it’s the last week of my show at Bookstein Projects. Thank you all who went to see the show. And I thank the team at Bookstein Projects for yet again putting up a show, which we can be proud of. Here is a link to the photos from the show for those who can’t make it to the gallery.
PRESS RELEASE
Hiroyuki Hamada: New Sculpture
May 6 – June 13, 2025
Reception: Tuesday, May 6th from 6:00 – 8:00 PMBookstein Projects is pleased to announce an exhibition of recent sculpture by Hiroyuki Hamada. This is the artist’s sixth show with the gallery.
“I don’t really consider myself a ‘creator’ in a strict sense. It’s more like finding the work by letting things happen, struggling through trials and errors, or simply by accidents. It’s humbling and reassuring at the same time. As if art is a path to encounter the mystery of the Universe itself: As if to show us a glimpse of life itself, which finds a home in the most adverse conditions: As if to liberate us from social imperatives which can bind us to a point of impossibility.” – Hiroyuki Hamada, East Hampton, NY, 2025
Executed over the last five years, the sculptures in this exhibition are created from layers of plaster that are built-up then shaved down and built up again. The phenomenological volumes are largely biomorphic and most often an amalgamation of geometric solids that invite the viewer to walk around the works. Closer inspection reveals surfaces that show the marks of human labor – indented drill marks, inlayed resin and painted bands – and attest to the artists’ origins as a painter.
Hamada’s work often presents itself to the viewer in seemingly opposing dualities: archaic and futuristic, natural and industrial, austere and inviting. Indeed, the sculptures are as evocative as they are otherworldly, and yet, it is this seemingly polemic relationship that drives the artist’s practice. Hamada explains that within his studio he strives “to find fine balance in elements to see things being harmonized, opposing elements coexisting in meaningful ways, richness and warmth being born out of raw materials.”
Hiroyuki Hamada was born in 1968 in Tokyo, Japan. He moved to the United States at the age of 18. Hamada studied at West Liberty State College, WV before receiving his MFA from the University of Maryland. He was the recipient of the New York Foundation for the Arts Grant in 2009 and 2017 and the Pollock-Krasner Foundation Grant in 1998, and most recently, the John Simon Guggenheim Memorial Foundation Fellowship in 2018. Recent institutional exhibitions include Hiroyuki Hamada at the Parrish Art Museum Road Show (2023), Hiroyuki Hamada: Recent Works at ‘T’ Space, Rhinebeck, NY (2020), Hiroyuki Hamada: Paintings at the Duck Creek Arts Center, East Hampton, NY (2019) and Hiroyuki Hamada: Sculptures and Prints at Guild Hall Center for Visual and Performing Arts, East Hampton, NY (2018). Hamada has been profiled in numerous publications including Tristan Manco’s Raw + Material = Art (Thames & Hudson). The artist lives and works in East Hampton, NY.
Hiroyuki Hamada: New Sculpture will be on view from May 6 – June 13, 2025. An opening reception will be held on Tuesday, May 6th from 6:00 – 8:00 PM. Gallery hours are Monday through Friday, 11:00 am to 6:00 pm. For additional information and/or visual materials, please contact the gallery at (212) 750-0949 or by email at info@booksteinprojects.com.
#88, 29 x 47 x 41 inches, painted resin, 2016-20 (L), #107, 54 x 64 x 10 inches, painted and pigmented resin, 2025 (C) and #101, 24.5 x 40 x 15 inches, painted resin, 2024 (R) -
Hiroyuki Hamada: New Sculpture at Bookstein Projects 2025
I’ll be showing a group of new work at Bookstein Projects in NYC soon. I’ve had great time working on the pieces. Each piece reminds me of the memories of the struggles, the discoveries and excitements in the making process. I’m grateful and happy to share the work with you. Thank you Lori and Joseph at Bookstein Projects for working with me. The show opens on May 6th 2025. It will run through June 13th 2025. The gallery is open Monday to Friday, 11am to 6pm.
Hiroyuki Hamada: New Sculpture
Bookstein Projects
39 East 78th Street
10075 New York City
United States
https://www.booksteinprojects.com/exhibitions/hiroyuki-hamada-new-sculptureOpening
Tue 06 May 2025
18:00 – 20:00Date
06 May 2025 – 13 Jun 2025 -
Hiroyuki Hamada at Bookstein Projects, April 2024
Years ago I watched Agnes Martin’s interview. She was describing how ideas we take for granted get in the way of her perceptions while she paints. Emptying those ideas can be a challenge. She was saying that she was struggling with Darwinism. At the time, this really didn’t hit me, but over the years this idea has become clearer to me.
In order for a work of art to affect us viscerally to our core, the elements we deal with must be observed for what they are, and the dynamics among them must not be dictated by external imperatives which can suffocate our perceptions and prevent the relations among the elements to be restricted within the artificial framework of the social formation.
As we grow from a baby to an adult, we learn rules to be a good citizen. We are conditioned to adjust our thoughts and behaviors to fit within the norms of workers who prop up “democracy”, “freedom”, “humanity”, “justice” and so on. And we are taught what those words mean by those who use those words to profit and secure their positions high above us.
It is a challenge for us to really feel and act so that our feelings and actions do contribute for us in meaningful ways—something we learn to forget to be a good citizen. But I believe this is a must for my studio activities to make a work which resonates in a profound way.
My next show in NYC opens in April of 2025 at Bookstein Projects. @booksteinprojects
Have a wonderful day my friends.
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Gana Art Bogwang Show 2022
I am not religious at all in a traditional sense. But being in my studio struggling to make work has taught me that there are incomprehensible mechanisms operating beyond our perceptions. The glimpses of the vastness show up as “uncanny coincidences”, “unexplainable perceptions”, “overwhelming emotions of unknown origins” and so on.
So when I felt an unexplainable familiarity in being in Korea, an overwhelming sense of nostalgia and extreme sadness in leaving the country, I was not too puzzled, but still the sensation was new and palpable. All I can say is that things connect in some unknown ways and I humbly feel it as it is.
This is one of the bigger shows I have had, with 17 art works in a large venue with 2 floors.
The pieces were selected by Jung Lee the director of Gana Art and his curators. The set certainly has a cohesive theme of some sort, but I couldn’t pin point it initially. The director basically said that he thought about the taste of the Korean audience. The pieces filled up the venue like they were made for it. They certainly made selections which are cogent and very effective as a whole.
Having been in Korea looking at its art, new and old, working with people there and breathing the air in Seoul, I came to speculate on an intuitive level that the theme has something to do with some sort of faceless force of nature which grips hearts of the people in the region. And grips hearts of people in surrounding regions just as the Japanese centuries ago were so passionately fascinated by their ceramics in a narrowly defined context of “wabi sabi” sensibility. In reality, though, what I am trying to describe exists in more fundamental and ubiquitous ways, which can manifest in countless ways. It’s the resigned harmony with the unknown vastness, which I also feel as a basis of my studio practice. To me, being in studio is to be a listener, a keen observer, a channeler, who reflects dynamics surrounding us as patterns which resonate with us with visceral significance.
And this somehow relates back to my feeling about being in Seoul—my familiarity and affinity toward it. I am deeply drawn to the land, food and its people without knowing exactly how or why. My attempt in articulating it seems to remain circular as words go around the essence.
In any case, I thank the wonderful people I met there and I look forward to our future collaborations.
Here are some images from the show. Some detail images have been added, which were photographed previously in my studio.
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‘T’Space Rhinebeck Show
I am having a show at ‘T’Space in Rhinebeck, NY. It’s a beautiful venue surrounded by trees and the fresh air of Hudson, NY. The orchestration of the light and space in the compact venue creates a shrine-like serenity and harmony.
Lori and Joseph from Bookstein Projects have done an excellent job installing my work. The show will be presented at the ’T’Space website along with a poetry reading by Arthur Sze, and a musical performance by String Noise. I thank Susan Wides at ’T’Space for her hard work in putting everything together. We will also have a video production by Jack of Diamond LLC, which includes an interview between myself and Robert C Morgan. Notes on the making process with images from my studio are also presented. Read more about it at ‘T’Space site.
I’m excited and happy that our collaborative efforts have been going very well, and the show will be presented in an online livestream opening August 22, 2020 at 3PM. Register here.
Here are some images from the show.
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Images from Bookstein Projects show
Here are some images from the Bookstein Projects show. The show is up till February 15, 2020.
Bookstein Projects60 East 66th Street, 3rd Floor, New York, NY 10065Tel (212) 750-0949info@booksteinprojects.com................. -
The Visual Thread
Here are some images from The Visual Thread, a group show curated by Lori Bookstein which commemorates the 50th anniversary of the Fine Arts Work Center in Provincetown.
I’m always intrigued by Kate Clark‘s human animal sculptures. And Heidi Hahn is one of my favorite painters. I like how her paintings can be very emotional, yet unmistakably absurd and odd, and all the elements are expressed with a very solid formal visual quality. I am happy to be in the same show with them. My work sits next to Sam Messer’s striking piece titled “how beautiful is the tiger who killed me”.
Well, I can keep talking about other wonderful artists in the show…
Left: Kate Clark, Charmed, 2015, varied materials, 72 x 40x 23 inches
Center: Heidi Hahn, The Body is Not Essential XII, 2016, oil on canvas, 32 x 36 inches
Right: Hiroyuki Hamada, #76, 2011-13, painted resin, 46 x 37 x 31 inches
Left: Hiroyuki Hamada, #76, 2011-13, painted resin, 46 x 37 x 31 inches
Right: Sam Messer, how beautiful is the tiger who killed me, 2017, oil on canvas, 48 x 60 inches
You will probably recognize some of the artists in the show.
#LisaYuskavage#EllenAltfest#RichardBaker#BaileyBobBailey#PaulBowen#MattBollinger#AmyBrener#EllenDriscoll#KateClark#EllenGallagher#HeidiHahn#HiroyukiHamada#SharonHorvath#SamMesser#ElliottHundley#SarahOppenheimer#JenniferPacker#JaniceRedman#JackPierson#JacolbySatterwhite#KahnandSelesnick#DuaneSlick#SableElyseSmith#JamesEverettStanley#TabithaVevers#BertYarboroughYou can see more images here:The show is up till May 20th at Mills Gallery at Boston Center for the Arts.